Reweaving the Stories of Our Public Art
How does public art limit (or extend) what we can know about the past, present, or future? How can art support us in telling a new story, a shared story about who we are?
How does public art limit (or extend) what we can know about the past, present, or future? How can art support us in telling a new story, a shared story about who we are?
Cantini, who was a vital part of Pittsburgh's public art scene in the twentieth century, believed art should be free and available to everyone.
The work of public memory is not only about the past, but about a shared vision for the future.